Sunday, February 15, 2015

Chairs For Charity

Chicago Magazine &
Chicago Home & Garden Magazine presents
Chairs for Charity 
Thursday, March 26 from 6-8:30PM
at EuroFurniture
2145 W. Grand Ave.

Dan  (Navillus Woodworks) and I collaborated in this knock off Eames chair upholstered with beach towels.
Aiming for the highest by using the lowest...



Wednesday, October 29, 2014

Dispatch: Puerto Rico

My work was included in Dispatch: Puerto Rico (survey)
written by Guggenheim's curator Pablo Leon de la Barra
Link: http://blogs.guggenheim.org/map/dispatch-puerto-rico/


Friday, October 17, 2014

DUCKS

curated by Ryan Travis 

GREENPOINT TERMINAL GALLERY

67 West st #320, Brooklyn, NY 11222

October 24 – November 29, 2014
Opens October 24th 7-10pm
John Phillip Abbott, Daniel Albrigo, Scott Anderson, Brian Belott, Marissa Bero, Michelle Blade, Morgan Blair, Eric Carlson, Jacob Ciocci, Brian Cooper, Matthew Craven, Ryan De La Hoz, Bill Donovan, Lauren Ivy Dudko, Austin Eddy, Cassie Edwards, Madeleine Ehrhardt, William Emmert, Ron Ewert, Amir H. Fallah, Andreas Fischer, Travis Fish, Ted Gahl, Richard Galling, Ethan Gill, Magalie Guerin, Trenton Doyle Hancock, Joseph Hart, Cody Hudson, Huskmitnavn, Matt Irie, David Jien, Kiel Johnson, Stacie Johnson, Ben Jones, Kara Joslyn, Michael Krueger, Alex Kvares, Jessica Labatte, Jeff Ladouceur, Eric Lebofsky, Austin Lee, David Leggett, Sofia Leiby, Matt Leines, Dave Lloyd, Matt Lock, Tom Long, Morgan Manduley, Keegan McHargue, Taylor Mckimens, Bill McRight, Easton Miller, Mark Mulroney, Marcie Oakes, Jonah Olsen, Robyn O’Neil, Hilary Pecis, Joyce Pensato, Cleon Peterson, Josh Reames, Carmen Price, Sara Greenberger Rafferty, Scott Reeder, Tyson Reeder, Amber Renaye, Christian Rex van Minnen, John Riepenhoff, Steve Ruiz, Louis Schmidt, Allison Schulnik, Adam Scott, Eric Shaw, Casey Jex Smith, TL Solien, Edra Soto, Ben Stone, Devin Troy Strother, Marissa Textor, Jeremy Tinder, Shalia Tulze, James Ulmer, Sarah Weber, Nick Wilkinson, Sara Willadsen, Bud Wizzo, Scott Wolniak, Eric Yahnker



Thursday, October 16, 2014

Dock 6 Design & Art Series #8


    photo by Michael Soto

Artists at Work series by Kevin Nance





Say Everything

Press:


















National Museum of Puerto Rican Arts & Culture

Inaugural exhibition
http://iprac.org/about/
On the news:






RR6


3Arts / Rauschenberg Residency Fellow
http://www.artistcommunities.org/3arts/artists
Rauschenberg Foundation, Captiva, Florida
http://www.rauschenbergfoundation.org/residency
Photos (portraits only) at the studio courtesy of Laurie Lambrecht





















Wedding to Unknown by Alberto Aguilar

collaborating with The Wedding Cake Project





Dock 6 Design & Art Series #7






Tuesday, March 04, 2014

HEAD
Western Exhibitions, Chicago

http://www.westernexhibitions.com/current/2014/1_HEAD/index.html








The Seerveld Gallery presents:

Excess of Joy: an exhibition of new work by Edra Soto

Exhibition dates:            February 27 – March 26, 2014
Opening reception:        February 27, 6-8pm (artist talk at 6pm)



The work of Edra Soto strives to form a parallel between the basic materials that the artist uses and her Caribbean, African, Spanish and Anglo-American influences and heritage. Her work tends to draw upon childhood memories and her religious upbringing. Soto aims to create a space of reflection by bringing together a rich environment of images and shapes that were made in a simple and basic manner. 

Along these lines, Excess of Joy depicts portraits as masks, influenced by African and Caribbean imagery. Culturally omnipresent, masks possess the qualities of being protective archetypal devices for either a living organism or a myth. Soto amplifies her moral and emotional concerns by confectioning an image that is made with simple materials: gouache, graphite and paper, and influenced by the symmetrical architecture predominant in ecclesiastic art that the artist frequented during her formative years.

Excess of Joy brings together Soto’s latest drawings and a sound piece: respectively, dual comedy portraits, followed by the sound of Soto’s laughter coming from a record player. Produced in an edition of 250, the artist invites the audience to play the 7” record from a turntable while viewing the exhibition.